Published inThe RiffAlbum Review | ‘I Saw the Arkansas’ by Dylan EarlDylan Earl weaves a story of heartbreak and homesickness on his third release.6d ago36d ago3
Published inModern Music Analysis‘going…going…GONE!’ by Hemlock Springs | Album ReviewHemlock Springs’s debut album displays a clear knock for ecstatic synth-pop earworms.Feb 10Feb 10
Published inThe RiffAlbum Review | ‘Mama’s Gun’ by Erykah BaduBadu’s sophomore album proves the sophomore slump was nothing to fear for the neo-soul queen.Feb 86Feb 86
Published inThe RiffAlbum Review | ‘Glitter’ by Mariah CareyCarey’s companion album to her silver screen debut just misses the mark for the ‘80s pastiche she’s aiming for.Feb 18Feb 18
Published inThe RiffAlbum Review | “I Owe It to Myself” by Miki RatsulaRatsula’s debut album explores their journey in gender identity and mental health.Jan 255Jan 255
Published inThe RiffAlbum Review | ‘Hat Full of Stars’ by Cyndi LauperOn her first album of the 1990s, Lauper delves into weighty topics.Jan 187Jan 187
Published inThe RiffAlbum Review | ‘Perverts’ by Ethel CainCain’s sophomore release explores the depths of depravity through extended darkwave and oppressive soundscapes.Jan 1111Jan 1111
Published inModern Music AnalysisGood Weird by Basic Printer | Album ReviewNashville-based indie artist Basic Printer’s debut album takes electronic indie-pop into new, unexpected directions.Jan 10Jan 10
Published inThe RiffAlbum Review | ‘Moon Calendar’ by Travis McNamaraMcNamara’s debut album breathes depth and form into the loneliness, isolation, and uncertainty of the COVID-19 lockdown landscape.Jan 41Jan 41
Published inThe RiffAlbum Review | ‘Hey Guys, Watch This’ by Nellie MckayNellie Mckay returns with The Carpenter Ants with a collection of subtly country-flavored originals.Dec 28, 202425Dec 28, 202425
